RBG

Art Writing & Reviews

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“Olivia Erlanger: If Today Were Tomorrow”

Published in Flash Art International, June 10, 2024. 

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“Cellular and Vast: Ruth Asawa at the Menil Drawing Institute”

Published in Glasstire, May 14, 2024. 

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“Hayv Kahraman: The Foreign in Us”

Published in The Brooklyn Rail, May, 2024. 

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“The Ancestors We Want to Become: ‘Golden Worlds: The Portable Universe of Indigenous Colombia’ at MFAH”

Published in Glasstire, April, 2023. 

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“Digital Skin: Outlasting Reality in Jacolby Satterwhite’s ‘We Are in Hell When We Hurt Each Other’” 

Published in Burnaway, March 9, 2023. 

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“A Line’s Wisdom: Pleasure and Preparation in Robert Motherwell’s ‘As Fast as the Mind Itself’” 

Published in Glasstire, March 7, 2023. 

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“Pop Politics: Diane Severin Nguyen’s ‘IF REVOLUTION IS A SICKNESS’” 

Published in Burnaway, February 2, 2023. 

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“The Elasticity of the Line in Tory Montes Michie’s ‘Rock of Eye’”

Published in Glasstire, January 9, 2023. 

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“Philip Guston Now”

Published in The Brooklyn Rail, December, 2023. 

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“Emerging and Submerging: The Push and Pull of Visibility in Alia Ali’s ‘Blue Note’”

Published in Glasstire, November 14, 2023.

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“‘The Man Who Could Move Clouds’ is a memoir full of magic”

Published in The Washington Post, August 11, 2022. 

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“Shahzia Sikander's Radical Take on Traditional Arts”

Published in Hyperallergic, June 2, 2022. 

“Closer: Oscar Muñoz's Abstract Intimacy” 

Published in Glasstire, May 15, 2022. 

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“Anthony Veasna So’s ‘Afterparties’ is a bittersweet testament to the late author’s talents”

Published in The Washington Post, August 2, 2021. (print and online)

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“The Trouble with 'Trouth': Peter Williams's BLACK UNIVERSE”

Published in The Journal of the National Academy of Design, November 24, 2020

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• “White Tears/Brown Scars

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• Delves into Performative

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• Victimhood”

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Published in The Washington Post, October 16, 2020

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Ottessa Moshfegh’s ‘Death in Her Hands’ kicks off like a murder mystery. But the missing dead body is beside the point.

 

Published in The Washington Post, June 23, 2020

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Artist Encrusts Tijuana Police Cars With Glitter

 

Published in Hyperallergic, March 10, 2020

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The Anonymous Women Who Embroidered the Cruel History of the Chilean Dictatorship

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Published in Hyperallergic, February 21, 2020

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The Intimacy of No Wrong Holes: Thirty Years of Nayland Blake at Institute of Contemporary Art, Los Angeles 

Published in Autre Magazine, November 18, 2019

 

The Ghosts That Have Always Been Here: Queer Abuse in Carmen Maria Machado's "In the Dream House"

Published in Los Angeles Review of Books, November 18, 2019

 

Haunting Image of Home Amid Climate Change

Published in Hyperallergic, October 15, 2019

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How Hustlers shows the importance of female solidarity

Published in The Guardian, September 19, 2019

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The Latinx Artists Using Instagram to Fight Erasure in a Gentrifying Los Angeles

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Published in Vice, September 16, 2019

 

Costalegre by Courtney Maum

 

Published in The Ploughshares Blog, July 12, 2019

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Ten books that explain the complicated nostalgia of being a child of diaspora

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Published in The Washington Post, June 17, 2019

 

"Someone Great" delivers something different: A Latina lead we haven't seen before

 

Published in The Lily, May 16, 2019

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That Factual Feeling: Voices of "The Good Immigrant"

Published in Los Angeles Review of Books, April 21, 2019

 

Terrance Hayes on 2018: American Sonnets for My Past and Future Assassin and the contemporary U.S.

Published in Portland Review, March 4, 2019

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Nostalgia as Resistive Strategy: Dana Czapnik’s “The Falconer”

 

Published in Los Angeles  Review of Books, February 2, 2019 

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